Hello. I'm a student interested in film.
This blog is where I put my thoughts on films and television.
Disclaimer: None of the photos or videos I post are mine unless I say otherwise. Thank you.
I'd rather have Emma Thomson narrate my life than Morgan Freeman.
Catching Elephant is a theme by Andy Taylor
or My 2 Screens blog, I’m moving those film posts over to a new blog, http://twoscreens.tumblr.com/
It was just a hassle going back and forth between my normal blog and my film blog, and I couldn’t quite get a handle on doing singular actions just with my film blog, so I decided to make a completely separate account for it.
I’ll be writing all of the names down of the film blogs I’m following on here so that I can follow you on my new account as well. If you’re following 2 screens (not two screens, the new one), just know that it wont be updated from now on!
Sorry for the mess and confusion. If you’d like, I’d greatly appreciate it if you followed my new blog!
Cheers!
(btw, I don’t know if I made it clear, but I will still be using my salty lemon blog)
Dr. Stangelove (1964) Peter Sellers was great in all his rolls for this movie but, George C. Scott as “General Turgidson” steals the show.
Fuck yeah, he does.

So, I don’t know if I’m even allowed to have this opinion, but I really don’t get why Citizen Kane is treated like cinephile porn material. Granted, I’ve only watched it once, and before I share my actual thoughts on it, I should watch it a few times more. In fact, that’s a great idea, except for the fact that I greatly dislike torturing myself with hours upon hours of a boring story about a man who lost his childhood, which I am all too familiar with in my own life. Also, please, no more makeup that looks like somebody just pasted glue all over the actors’ faces and told them to make a scrunchy face until it dried (that probably wont make sense to you unless you, like me, were one of those children who played with glue. A lot. In fact, all that glue exposure is probably why I thought that I should actually talk about this film in a public forum)… please.

One of the things that I did enjoy about Citizen Kane was the sound editing. The stuff you could hear in the background, behind the dialogue, was pretty cool. I’m thinking this was a technique/style that Welles brought with him from his radio days? Anyway, that was something I could appreciate. Also, the lighting was beautiful. I loved how a lot of the characters, particularly Kane and the reporters, were backlit. Damn, I need to go back to my notes…Oh, and the scene where Kane is getting is Gubernatorial speech on was really cool too, although, I always love those kinds of shots. We also spent a long time studying the deep focus of this scene below, as well as the positioning of the actors in the frame. Very cool once you’ve broken it down.

Honestly, I feel like such a retard even talking about this film. It’s so beloved by people who are a part of the film community, as well as the people outside of it, that I couldn’t help but cringe while writing this whole damn post. I’ll be putting Citizen Kane on my Netflix list so that I can watch it again, of course. I’d feel horribly guilty if I didn’t.
Finally finished watching Doctor Who up until Matt Smith’s 11th doctor.
I liked Tennant a lot. He’s not my favorite, but he definitely holds a special place in my heart.
But his regeneration scene, IMO, was kinda lame. I mean, his last words are crap. In a way. Oh, I don’t know. I was just extremely disappointed because it felt like he pussied out (pardon my French).
Also, his regeneration blast looked like some sort of mega-jizz. Like, KA-POW!
“And I jizzed. In. My Tardis.”
But seriously, still a sad scene, and interesting to see that even Time Lords are afraid of death/regeneration. Good luck to Matt Smith in carrying on the legacy.
Hmmm… now, should I go back and watch the older episodes (I’m anxious to see what I really think of Tom Baker), or start in on Matt Smith? Desiciones, desiciones!
The Shawshank Redemption

I’d just like to start off by saying that I cannot believe that I hadn’t seen The Shawshank Redemption before now. I literally feel like an idiot. There are so many “moments” that I’d just like to take a snapshot of and keep with me forever, but that would be unfair to the amazing camerawork. There is a particular scene that stands out in my mind for many reasons:

Tim Robbins fucking killed this scene (in a good way). His character, Andy, is subtle in basically everything he does. The way his face lights up at the first sound of the women’s voices singing Sull ‘Aria from The Marriage of Figaro makes me wanna pinch his cheeks! Granted, I wanted to pinch his cheeks throughout much of the film, but I digress.

Another special moment occurs around the 1:35 marker in the above clip. That crane shot of the prisoners freaking makes me happy. I suppose it has to do with the distribution of them throughout the frame and the change of POV that makes the viewer feel like they and the inmates are free just for that short bit of time. Just fuckin soaring.
Again, going back to Robbins’ Andy. The look on his face as he turns up the sound on the record player is so full of quiet glee, which of course, brings a sort of solemnity to it as well, and is pitch perfect. There’s not much dialogue in this scene, other than the guards shouting and Morgan Freeman’s narration towards the end, and yet I’m still in Andy’s head, feeling that moment of happiness, feeling normal.
I have to mention, however, that even though I’ve talked at great length about the acting, I want to point out that the Editor, Richard Francis-Bruce (Se7en, The Green Mile, Harry Potter and the Sorcerer’s Stone), and the DP, Roger Deakins (Fargo, O Brother, Where Art Thou, and Jarhead), did a magnificent job at orchestrating every last frame in this film.